Breeland Sport

$34.00 $25.00 Sale Sold out
Color: Natural

The inhabitants of Bree may seem coarse at first, but that’s only until you get to know them. Just like its namesake, this yarn may not feel super soft in the skein, but once washed and blocked, it’s so soft you’ll wonder if it’s even the same yarn.

Composition: 100% Merino (non-superwash), woolen spun

Meterage: approx. 300m (330 yards) per 100gm hank

Please see the policies page for a description of the natural color variations in hand-dyed yarn.

I rinse and wash my yarns thoroughly, but colors may still bleed a little. Please wash your knits in cold water, with mild soap.

I also take great care when photographing my yarns and retouching images to represent their color accurately. Please remember, however, that colors may vary from one monitor to another.

Naturally Dyed

Natural dyes are alive with color, depth, and nuance. They live a life and tell a story of their own. This life cannot be coerced into uniformity or domesticated into something predictable. Indeed, why would we want that kind of sterilization when we can see the results of such an approach all around us in the modern world?

Choosing a naturally-dyed yarn such as I offer is a choice to embrace the beauty of the natural world, in all its unpredictability. The colors may not be as vibrant as those obtained with synthetic dyes, but they have a quiet beauty that whispers the story of the things you make with it.

Untreated Natural Fibers

All of my yarns are free from synthetic fibers, and these fibers are left untreated, because why would we want to mess with something that nature has already perfected?

Wool: the wonder fiber. I could go on and on about the benefits of wool—it's naturally antimicrobial, temperature regulating, moisture wicking, even flam resistant, and its natural memory means that it retails it's shape and structure beautifully through years of wear.

Silk: similarly to wool, silk is naturally temperature regulating, antimicrobial, and has wonderful longevity. It is also hypoallergenic. Yarns spun with silk fibers have beautiful drape and can add a touch of luxury to any project.

Alpaca: alpaca fibers are hollow, making them both lightweight and wonderfully insulating. The fineness and smoothness of the fibers ensures softness and luxurious drape.

Breed-Specific Yarns

I offer bases that are very likely to become your new favorite yarn, because I delight in curating a collection of yarns that are slightly off the beaten path.

While there's nothing wrong with the ever-popular Merino yarns that are a staple with hand-dyers, I love exploring the amazing qualities of other, less common, breeds and bringing these yarns to you. From the durable luster of BFL to the bouncy structure of Targhee, each breed has something unique to offer the hand knitter.

So within my catalog of bases you'll find a wide range of options, some of which are available only for a limited time in small batches, and I hope you'll find something that will broaden your fiber horizons and lead you further up and further in to the wonderful world of wool.

Every Skein a Unique Masterpiece
100% Untreated Natural Fibers
Every Skein a Unique Masterpiece
100% Untreated Natural Fibers
Every Skein a Unique Masterpiece
100% Untreated Natural Fibers

Since all my yarns are untreated, they will not need to be washed often. I have well-worn pieces in my collection that were washed once for an initial blocking and then not washed again for years, even with next-to-skin wear. Storing your yarn and finished projects in a dry dark place will help the fibers rest and the colors last.

When washing, naturally dyed yarns often require a little extra attention to ensure the longevity of the color. Since many natural dyes are pH sensitive, washing with a pH neutral soap is recommended. I like to use just a dab of Seventh Generation Free and Clear dish soap, but there are other pH neutral soaps out there that will work well.

Frequently Asked Questions

Answers to the questions I get asked the most about my yarns and dyes.

How long does it take to dye a batch of yarn?

Generally speaking, it takes about a week to go from undyed skein to finished skein, though it varies depending on the colorway. The process to dye yarn naturally has several more steps than the process to dye yarn with synthetic or acid dyes. These steps usually include scouring, mordanting, dyeing, and rinsing but can also include multiple dye baths or afterbaths.

Will it fade?

It depends. Part of the beauty of natural dyes is that they change and age over time, developing the patina that gives natural materials that lived-in feeling. Some colors fade, others shift, while still others deepen. Every natural dye behaves a little differently, and some have a greater tendency to fade than others. 

Most of my colorways are dyed on yarn that has been mordanted. There are many different ways to mordant fiber in preparation for dyeing, but to speak generally, mordanting is a process whereby the fiber is prepared for dyeing by being treated with something that will help the dye bond to the fiber. This process improves lightfastness and colorfastness, but it does not mean that fading will not happen at all. Even industrial synthetic dyes can fade if exposed to harsh direct sunlight for long enough. If you are concerned about fading, then I recommend keeping your yarn out of direct sunlight.

Are your colorways repeatable?

Yes and no. I do have a library of repeat colorways that I have developed. These colorways are as close to repeatable as I can get them, which is to say that there may be very subtle variations between batches, as is true of all hand-dyed yarn. If you are concerned about color pooling, then I recommend alternating skeins in multi-skein projects. 

That said, experimentation and colorplay are two of the reasons I got into natural dyeing in the first place, so I will often offer colorways that are one-offs, accidents, or otherwise unrepeatable. Anything labeled OOAK is something I do not anticipate being able to recreate, so when it's gone, it's gone.

Will it bleed?

This is an area of ongoing improvement for me as a dyer, and I am constantly refining recipes and processes to eliminate as much bleeding as possible.

It is rare for my yarns to bleed, and I have never heard of or experienced bleeding ruining a project, but I cannot guarantee that no bleeding will happen. When washing, factors such as the temperature and pH of the water, the type of soap or detergent used, and any chemicals that may be present in the water can all impact a yarn’s tendency to bleed. 

Given all these factors, even commercially-dyed yarns sometimes bleed. For this reason, I recommend that you hand-wash projects made with my yarn in cold water with a gentle pH neutral soap and use a color catcher sheet if you are concerned about bleeding.

What is crocking?

Crocking is a process whereby small particles of pigment are transferred from the dyed fiber to other surfaces due to friction and sometimes heat. If you’ve ever had a pair of jeans that bled onto other clothing, then you’ve experienced crocking. Crocking is most common with indigo-dyed fabric, but it can happen with other dyes as well. 

I like to think of crocking as getting cozy with the natural dyes that give us color.

In my experience, crocking is a normal, though not inevitable, aspect of working with naturally-dyed yarns. It can also very from person-to-person, as differences in skin pH can affect color transfer while working with the yarns. Color transfer from crocking typically washes away easily.

Where do you get your dyes?

Most of my dyes are currently sourced from Shepherd Textiles, a weaving and fiber arts studio based in Washington state. All dyes are 100% natural and free from any synthetic colorants or industrial chemicals. Many of the dyes I use are GOTS certified organic. 

Occasionally, I will dye special one-of-a-kind colorways using natural dye materials I have foraged, grown, or collected myself. In time, I hope to have my own dye garden and produce more of my own dyes.

Humbly Rejoicing in the Beauty of Nature

Why manufacture color when you can coax it from flower, root, and leaf? Why dampen the qualities of wool when it is already durable and low-maintenance without a plastic coating?

Dyeing with natural dyes is not easy, but there is beauty in a process that requires me to relinquish a sense of control and work with nature rather than over it and delight in the serendipity of the unpredictable.

Humility and play are two cornerstones of my dye practice—humility in working with materials that cannot be fully controlled and yet reward playful experimentation.

You are made for Beauty. You are made to Create.

RLFA Brand Values

Beauty.

One of the three transcendentals, Beauty draws us out of ourselves towards an encounter with the Divine. Often encountered where we least expect to find it, Beauty does not vaunt itself but is often only visible to those who have eyes opened to the wonder that is all around us.

"Earth's crammed with heaven, / And every common bush afire with God, / But only he who sees takes off his shoes"
-Elizabeth Barret Browning
Creativity.

Every single person on this planet is created in the image of God. We thus each have an innate creative ability which must be nurtured if it is to come to full flower. My goal with Refracted Light Fiber Arts is to nurture the creativity of others.

"[M]an, sub-creator, the refracted light / through whom is splintered from a single White / to many hues, and endlessly combined"
- J.R.R. Tolkien
Renewal.

When we make Beautiful things, using our innate Creativity, we work towards a renewal not just of ourselves or our communities but of the world itself. These small acts of resistance may not change the world, but they have great value, nonetheless.

“...for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”
- George Eliot
A large stone urn planter filled with blooming purple and yellow pansies, placed outdoors beside a brick wall and steps.