Nessa Raglan Knitting Pattern
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Description
Nessa is the Vala most known for her dancing, and she is swift as an arrow from the string. Inspired by the joy of her dance on lawns of never-fading green, the Nessa raglan hearkens back to the glory of Valinor, where the Valar dwelt in bliss.
Construction Notes
The Nessa raglan is worked from the bottom up in the round, beginning with a tubular cast-on for the hem and cuffs. After working 1x1 ribbing for the hem, you will begin the colorwork for the body. Sleeve increases shape the sleeve gradually after the ribbed cuff, and body and sleeves are joined after the colorwork to work the yoke in the round. The yoke utilizes compound raglan shaping for a better fit, especially at the underarms. Before finishing the yoke decreases, short rows are worked to raise the back neck before the collar. The collar is worked in 1x1 ribbing and finished with a tubular bind-off. To finish, the underarms are grafted together using Kitchener stitch.
Sizes
(1, 2, 3) (4, 5, 6) (7, 8, 9)
Finished Measurements
Bust - (35.5, 39.5, 43.25) (47.25, 51, 55) (59, 63.5, 67.5)in / (90, 100.5, 110) (120, 129.5, 139.5) (150, 161.5, 171.5)cm
Upper Arm - (11, 12, 13.25) (14, 15.25, 16.75) (18.25, 20, 21.5)in / (28, 30.5, 33.5) (35.5, 38.5, 42.5) (46.5, 51, 54.5)cm
See pattern photos for schematic and chart with additional measurements.
Recommended Ease
2-4in (5-10cm) positive ease at bust/chest is recommended, but the pattern can comfortably be worn with more positive ease and not look too baggy.
Gauge
Stockinette in the round
20.5 sts x 26 rounds = 4in (10cm)
1x1 ribbing in the round
26 sts = 4in (10cm)
Measure gauge after blocking.
Yarn
Sample used
Little Lionhead Knits NSW DK
100% NSW Merino (246yds, 100g)
Required yardage / meterage
Color A (gold in sample)
(683, 781, 839) (937, 1042, 1122) (1262, 1362, 1475) yds
(625, 715, 768) (857, 953, 1026) (1154, 1246, 1349) m
Color B (green in sample)
(182, 199, 217) (235, 253, 303) (323, 347, 367) yds
(167, 182, 199) (215, 232, 278) (296, 318, 336) m
Color C (blue in sample)
(143, 158, 174) (189, 205, 252) (269, 291, 309) yds
(131, 145, 160) (173, 188, 231) (246, 267, 283) m
(Note: I try to always make my yardage suggestions generous, but you may need more than the suggested yardage if you choose certain modifications like extra length in the body and/or sleeves.)
Needles
US 4 (3.5mm) needles or size needed to obtain gauge
Circulars for body and DPNs or long circulars for sleeves and collar
Notions
6 stitch markers (at least two of these need to be locking)
scrap yarn or stitch holders
tapestry needle
blocking supplies
For questions or pattern support, email refractedlightfiberarts@gmail.com
This pattern has been tech edited and test knit.
Copyright October 2024, all rights reserved.
RLFA
Dyed with Nature's Gifts.
FREQUENTLY ASKED QUESTIONS
What you've always wanted to know about my yarn.
How long does it take to dye a batch of yarn?
Generally speaking, it takes about a week to go from undyed skein to finished skein, though it varies depending on the colorway. The process to dye yarn naturally has several more steps than the process to dye yarn with synthetic or acid dyes. These steps usually include scouring, mordanting, dyeing, and rinsing but can also include multiple dye baths or afterbaths.
Will it fade?
It depends. Part of the beauty of natural dyes is that they change and age over time, developing the patina that gives natural materials that lived-in feeling. Some colors fade, others shift, while still others deepen. Every natural dye behaves a little differently, and some have a greater tendency to fade than others.
Most of my colorways are dyed on yarn that has been mordanted. There are many different ways to mordant fiber in preparation for dyeing, but to speak generally, mordanting is a process whereby the fiber is prepared for dyeing by being treated with something that will help the dye bond to the fiber. This process improves lightfastness and colorfastness, but it does not mean that fading will not happen at all. Even industrial synthetic dyes can fade if exposed to harsh direct sunlight for long enough. If you are concerned about fading, then I recommend keeping your yarn out of direct sunlight.
Are your colorways repeatable?
Yes and no. I do have a library of repeat colorways that I have developed. These colorways are as close to repeatable as I can get them, which is to say that there may be very subtle variations between batches, as is true of all hand-dyed yarn. If you are concerned about color pooling, then I recommend alternating skeins in multi-skein projects.
That said, experimentation and colorplay are two of the reasons I got into natural dyeing in the first place, so I will often offer colorways that are one-offs, accidents, or otherwise unrepeatable. Anything labeled OOAK is something I do not anticipate being able to recreate, so when it's gone, it's gone.
Will it bleed?
This has been an area of ongoing improvement for me as a dyer, and I am constantly refining recipes and processes to eliminate as much bleeding as possible.
It is rare for my yarns to bleed, and I have never heard of or experienced bleeding ruining a project, but I cannot guarantee that no bleeding will happen. When washing, factors such as the temperature and pH of the water, the type of soap or detergent used, and any chemicals that may be present in the water can all impact a yarn’s tendency to bleed.
Given all these factors, even commercially-dyed yarns sometimes bleed. For this reason, I recommend that you hand-wash projects made with my yarn in cold water with a gentle pH neutral soap and use a color catcher sheet if you are concerned about bleeding.
What is crocking?
Crocking is a process whereby small particles of pigment are transferred from the dyed fiber to other surfaces due to friction and sometimes heat. If you’ve ever had a pair of jeans that bled onto other clothing, then you’ve experienced crocking. Crocking is most common with indigo-dyed fabric, but it can happen with other dyes as well.
I like to think of crocking as getting cozy with the natural dyes that give us color.
In my experience, crocking is a normal, though not inevitable, aspect of working with naturally-dyed yarns. It can also very from person-to-person, as differences in skin pH can affect color transfer while working with the yarns. Color transfer from crocking typically washes away easily.
Where do you get your dyes?
Most of my dyes are currently sourced from Shepherd Textiles, a weaving and fiber arts studio based in Washington state. All dyes are 100% natural and free from any synthetic colorants or industrial chemicals. Many of the dyes I use are GOTS certified organic.
Occasionally, I will dye special one-of-a-kind colorways using natural dye materials I have foraged, grown, or collected myself. In time, I hope to have my own dye garden and produce more of my own dyes.
